The brow furrows when I admit that no, in fact, I do not draw well and was the source of much frustration to my professors when they saw how I grasped other areas of art perfectly fine, but just didn't seem to twig how to translate 3D to 2D...
I've always been one to wince and duck out of the way of this label "patchwork". The word brings to mind the costumes of those scary circus clowns in loud, garish colors, or of Halloween costumes friends would wear when going trick-or-treating as a bum. (Side note for my British readers, this last word is not to be taken in its generic reference to certain anatomical nether regions.) It traps fiberart in the realm of “craft” – a hodgepodge collection of bits of cloth sewn together to make a covering) without leaving space for it to be accepted as “fine” art – works which are studied, modeled, reflected upon, and planned; works with a “raison d’être.”
That said, yes indeed, part of what I do, and what many other fiberartists do, can be classified as “patchwork” or “piecework” quilting. My current piece for “The Dream Rocket” project, for example, is absolutely, without a doubt, a piecework quilt square. The inspiration behind the quilt square came from the project itself: a celebration of mankind daring to reach beyond the limits of what was assumed possible – travel to outer space – and from this break with tradition, we've discovered galaxies that we are only beginning to scratch the surface of understanding.
So I decided to start with a very classic quilt square: The Bear’s Paw, which to me looked like mini rockets or fish in the middle. In my piece, those mini rockets / fish break free from the confines of what tradition holds them to and they go off to discover new worlds…

I hope everyone had a special Easter weekend!
Rock(et) your day! (-;
Holly
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